目前,国内学术界对乔伊斯作品的音乐性及形式的巧妙性已有不少研究,但对其作品的色彩却关注尚少。本文通过研究《都柏林人》和《肖像》中的色彩隐喻,不仅表明乔伊斯这两部作品内容与形式的统一与和谐,还期望对国内从颜色视角深度解读《都柏林人》和《肖像》两部作品研究方面的欠缺有所弥补。 At present, there are quite a few studies on the musicality and the ingenuity of Joyce’s works in the domestic academic circles, but there is little attention paid to the color of his works. By studying the color metaphors in “Dublinians” and “Portraits”, this paper not only shows the unity and harmony between the contents and forms of Joyce’s two works, but also expects to make a deep analysis of the “Dublinians” and “Portraits” The deficiencies in the research of the two works have been made up.