《白蛇传·情》的舞台设计可谓精妙绝伦,每一幕都是一张完美屏保。舞台新技术的运用也恰到好处,声光电的交汇、桥的旋转、舞台的升降、悬挂的荷叶和西湖三潭印月石塔,既契合剧情,又给观演者美的愉悦。绝妙的是水袖扬起的巨浪,由白色的浪花到蓝色的水幕,水渐漫金山的经过如现目前。但是,第三场的舞台布置给人感觉有点怪,丝网状的道具表现得像是盘丝洞,少了昆仑山仙境的灵气。 “White Snake Love” stage design can be described as exquisite, every scene is a perfect screensaver. The use of stage new technology is also just right, the intersection of acousto-optoelectronic, bridge rotation, stage movements, hanging lotus leaf and the West Lake Santanyu tower, both fit the story, but also to the performers of the United States pleasure. Wonderful is the huge waves of water sleeves, from the white spray to the blue water curtain, the water gradually diffuse Jinshan after now as before. However, the stage layout of the third game feels a bit strange, silky props behave like Pan Si hole, less Kunlun Wonderland Reiki.