小提琴作为外来乐器传到中国后得到了广泛的喜爱,同时也孕育了大量优秀的中国小提琴作品,在演奏他们时,往往出现非常西化的演奏风格,究其原因,这是演奏者对中国文化的忽视,对中国民族音乐独特演奏风格的忽视。对于中国的演奏者而言,这是一个非常奇怪的现象。要将中国音乐通过小提琴这样一种中介媒质进行传承,一定要记住“只有民族的才是世界的”。 As a foreign musical instrument spread to China, the violin was widely loved. At the same time, it also gave birth to a large number of excellent violin works in China. During the performance of the violin, a very westernized playing style was often found. The reason for this is that performers, Neglecting, ignoring the unique performance style of Chinese folk music. This is a very strange phenomenon for Chinese performers. To pass on Chinese music through an intermediary such as a violin, it is important to remember that “only the nation is the world.”