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漆澜(以下简称漆)：从“伤痕美术”、“八五新潮”,再至“后八九”,你是重要的当事人和见证者,请谈谈你对中国当代艺术这几个关键发展段落的看法,以及你自己与这个进程的关系。周春芽(以下简称周)：我从一开始进入创作,就拒绝进入某种类型或模式,但受当时国内的情绪化的时流影响,也有过一段摸索期。一个画家在起步的时候,往往更有主流期待,更急于在观念和形态上夸张一些,不仅仅是个体艺术家如此,就整个时代而言都是如此。那个时
You Lan (hereinafter referred to as lacquer): From “Scar Art”, “1985 Trendy” to “Post 89”, you are an important party and witness, please talk about your these key developments in contemporary Chinese art The passage of view, and your own relationship with the process. Zhou Chunya (hereinafter referred to as Zhou): I started from the beginning of creation, I refused to enter a certain type or mode, but by the time the emotional impact of the country at the time, but also had a groping period. When an artist starts, he tends to be more mainstream and more anxious to exaggerate in concept and form, not only for individual artists but for the entire time. That time