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朦胧诗的出现集中在20世纪70年代末80年代初。在文革十年灾难结束、改革开放刚刚起步的过渡阶段,新旧掺杂的元素反映在诗人对国家与民族的观照上,呈现出“二元”的中国形象。体现在以下几个方面:内容书写上,“中国”呈现出“黑暗”与“光明”对立的两组形象;表达方式上,“中国”以“个人”和“集体”两种方式呈现;中后期朦胧诗的转型上,“中国”有回归文化传统和走向现代两种模式。
The appearance of misty poems concentrated in the late 1970s and early 1980s. During the transitional period just after the disaster of the 10 years of the Cultural Revolution was over and the reform and opening up was just started, the old and new doping elements were reflected in the poet’s consideration of the country and the nation and showed a “binary” image of China. This is reflected in the following aspects: On the content writing, “China” shows two groups of images that oppose “darkness” and “lightness”; on the way of expression, “China ” regards “personal And ”collective“ in two ways. In the mid-late transition of obscure poems, ”China" has two modes of return to the cultural tradition and the modern.