我之为印,三十余年,浸淫于笔墨文字金石篆刻之中,方寸之间其乐无穷也。先秦古玺那灵动、丰富、多变令我神往,因此我治印多取法先秦古玺之神韵,旁参明清诸流派,从继承中求得变化,既追求古印的真趣,又能抒发从艺的性情。创作时因字生印,使印面的空间和而不同,静中寓动,强调印章的视觉现力。 I am India, more than thirty years, immersed in the pen and ink stone carving among the square between the fun also. The ancient Qin Xi that the smart, rich, changeable I am fascinated, so I rule more Indian law seal Yin Xian, next to the Ming and Qing genre, from succession in seeking change, not only the pursuit of the true meaning of ancient India, but also to express Art from the temperament. Due to the printing of Chinese characters, the space of the printed surface is different from that of the printed surface, and the impression of the seal is emphasized.