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韩愈的《听颖师弹琴》与李贺《听颖师弹琴歌》,都是唐代音乐诗的翘楚之作。探讨二者的以形显声、情化形态、借声拟声的共同特质,剖析其视觉、图像、感受效果的差异,对于研究唐代的音乐诗及其审美范式有重要意义。
Han Yu’s “Listen to Master Ying Qin” and Li He “Listen to Master Ying Qin Song” are the leaders of the Tang Dynasty music poem. It is of great significance to study the differences between the visual, the image and the sensory effects in order to study the Tang poetry and its aesthetic paradigms by discussing the common traits of the form apparent voice, the emotion form and the borrowed sound.