在剧团里,经常可以看到一些废旧的布景片。这些以木框为外形蒙上布以后,再用绘画的技法使之成为舞台上的山石、房屋……,这就是“布景”。布景三、四十年代开始在我国舞台上出现(加上电光源的介入),到五、六十年代风靡全国,几乎成了当时我国唯一的、统一的舞美模式。为了适应并胜任这种舞美模式,从那时开始,剧团的舞美队设置了服装、道具、木工、灯光等机构。这也基本是全国一致的。 In the troupe, often can see some of the scrap of scenery film. After these wooden frames are covered in cloth, they are then used as painting techniques to make rocks and houses on the stage. This is the “scenery.” In the 1930s and early 1940s, there appeared on the stage of our country (with the intervention of electric light sources), and swept the country in the 1950s and 1960s. At that time, it became the sole and unified mode of Chinese dance and beauty at that time. In order to adapt to and be qualified for this kind of dance and beauty mode, since then, the troupe’s dance team has set up clothing, props, carpentry, lighting and other institutions. This is basically the same across the country.