论文部分内容阅读
如何能够用杂技反映现代军人的情感情怀?在当下新军事变革的大潮中,我们该用怎样的舞台作品鼓舞士气?杂技的艺术表现如何才能得到进一步的发展?怎样才能实现杂技艺术从炫技为主的表演模式向创造典型人物的戏剧模式飞跃?这一切的思考在我脑子里已经盘桓多年。在长期的思考中,有一种信念渐渐明晰。任何一种舞台艺术,假如不能表达当下的普遍情感,不能塑造当下的典型人物,不能呈现典型人物的情感成长历程,这样的艺术会被渐渐淘汰出主流艺术舞台的。试想一下,
How can we use acrobatics to reflect the feelings and emotions of modern military personnel? In the current tide of new military transformation, what kind of stage works should we use to boost morale? How can artistic performance of acrobatics be further developed? How can we achieve acrobatic art? The main performance mode leaps toward the dramatic model of creating typical characters? All this thinking has been in my mind for years. In the long-term thinking, there is a belief gradually clear. If any kind of stage art can not express the current general feelings, it can not mold the current typical person and can not present the emotional growth course of typical people. Such art will be gradually eliminated from the mainstream art stage. Just imagine,