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在研究中国、东南亚或太平洋的音乐传统时,“空白”一词几乎是找不到的。人们遇到的不是空白,而是我们的了解的断层面造成的空白。从音乐研究来说,这种情况在非西方世界的所有音乐文化中到处可见。年轻人要找一个有实质内容的长篇论文的题目,只需转动一下地球仪,用指头随便把它定在一点上即可。然而一时热情冲动要投身这一领域之前,博士研究生需要一些简介,当考虑某一亚洲音乐或非洲音乐研究的前景时,了解到研究的问题还有待澄清,他的勇往直前的气概就会有所收敛。
When studying the musical traditions in China, Southeast Asia or the Pacific, the word “blank” is almost impossible to find. What people encounter is not a gap, but a gap created by the fault plane we know. From the point of music study, this situation is found everywhere in all musical cultures outside the Western world. Young people looking for a substantive essay topic, simply turn the globe, with your fingertips just put it a little bit. However, some time ago, passionate impulse to join the field, doctoral students need some introduction, when considering the prospects of an Asian music or African music studies, understand the research needs to be clarified, his courage will be reduced to convergence .