从画家的书法说起孙大宇:早想对书画两方面都有很高造诣的专家进行采访,今天有幸来拜访吴老师,首先想请您谈谈对当下画家书法的看法。吴悦石:中国绘画有一个从工匠画到士人画发展的过程。南宋赵松雪以后,工匠画、画家画变成了士人画。文化人的参与,赋予了绘画新的内容。就是重意趣、重个人的修养,把自己的思想抱负和个人情趣融会在笔墨当中,这样中国画开始了新的篇章,这是绘画的又一个高峰。士人就是知识分子阶层,士大夫阶级参与绘画所产生的 Speaking from the artist’s calligraphy, Mr. Sun: As early as you want to have an interview with experts who have high attainments in both painting and calligraphy, today is fortunate enough to come visit Mr. Wu and first of all would like to ask you to talk about the current calligraphy of painters. Wu Yue-shih: Chinese painting has a process of developing from artisans to scholars. After the Song Song of the Southern Song Dynasty, artisan paintings and painters ’paintings became scholars’ paintings. The participation of cultural people gives the painting new content. It is a matter of heavy interest and heavy personal accomplishment. It incorporates their own ideological ambitions and personal taste into one’s brush and ink, so that Chinese painting begins a new chapter. This is another peak of painting. Scholars are intellectuals, scholar-class participation in painting produced