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对于当下汉语诗歌写作得失的判断,已经出现了两种截然相反的声音。一种声音认为诗歌看似极其繁荣,活动众多,但实际上已经远离了读者和时代;另一种声音却坚持认为当下汉语诗歌与现实的关系如此紧密和胶着,诗人和时代的关系从来没有像今天这样密不可分。将这两种声音并置在一起考量,我们就会发现二者实际上都指向了一个问题:这就是诗人与时代,诗歌与现实既是“老生常谈”却又是常说常新的话题。那么,在一个新媒体和自媒体全面敞开的时代,在一个新闻化的焦点话题时代,汉语诗歌在处理当下现实的时候该如何发声?这种
Judging from the pros and cons of contemporary Chinese poetry writing, two opposite voices have appeared. One kind of voice thinks that poetry appears to be extremely prosperous and has many activities. However, it actually has been far away from the readers and the times. The other voice insisted that the relationship between contemporary Chinese poetry and reality is so closely and stalemate that the relationship between the poet and the time never resembled Today is inseparable. When these two voices are juxtaposed, we find that both actually point to a problem: this is the poet and the times. Poetry and reality are both “clichés” and often new topics. So, in a time when new media and self-media are fully open, in the era of a news-oriented focus topic, how should Chinese poetry sound when dealing with the reality of the present?