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在国内外人文学术界持续了30余年的文学经典论争,并不是一场纯粹的学术论争,而是在多元文化主义思潮推动下进行的一场关于审美领导权、教育权、话语权的争夺,其实质是一场文化主体性之争。作为文学经典论争重要组成部分的跨文化经典重构,是文化移入过程中,接受者为确保民族文化身份不被外来文化湮没而作的努力。本文在剖析文学经典论争实质的同时,从文化交流与民族文学建构的角度,论证跨文化经典重构的必要性。
It is not a purely academic debate that the humanities academics in China and abroad have lasted more than 30 years of literary classics. Instead, it has competed on the issues of aesthetic leadership, education and discourse under the promotion of multiculturalism. Its essence is a cultural subjectivity. As an important part of literary classics, the cross-cultural classic reconstruction is an effort by the recipient to ensure that the identity of the national culture is not obliterated by foreign cultures during the process of cultural migration. This article analyzes the essence of literary classics debate at the same time, from the perspective of cultural exchange and ethnic literature construction, demonstrate the necessity of cross-cultural classic reconstruction.