扫蚕花地是杭嘉湖一带蚕乡民众喜闻乐见的民间小舞。它取材于蚕桑生产生活实际,表达蚕农祛除污秽、祈望蚕事丰收的美好愿望,风格清丽委婉。然而,它并不是独存于自己的空间内的,而是依附于当地的文化网络体系。因此,我们对它的理解也不限于从纯粹美学的普遍概念入手,更应采取“在地化”的策略,即在一个特定的生活模式中,将其在文化上的独特性和普遍的艺术感染力结合起来考察。 Sweeping silkworms is the Hangjiahu area silkworm people loved the folk small dance. It is drawn from the actual production and life of sericulture, silkworm farmers express their hope to get rid of filth, hope silkworm harvest good wishes, elegant style euphemism. However, it does not exist in its own space, but it is attached to the local cultural network system. Therefore, our understanding of it should not be limited to starting from the universal concept of pure aesthetics, but should also adopt a strategy of “localization”, that is, to take its cultural uniqueness and universality in a particular life style The artistic appeal combined inspection.