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花鸟画在中唐已经形成了独立的一门画科,但真正达到艺术的顶峰却是在五代时期。而宋代的花鸟画有更加广阔的社会心理背景,它不仅陶冶文人士大夫的情操,更是成为了帝王贵戚乃至市民各阶层的审美标准。至今我们所知道的两宋时期的宫廷画家众多,当时流传着“黄家富贵、徐熙野逸”的说法,说明黄徐画风的影响很大。本文将从所处背景、题材、技法表现、审美趣味几个方面来分析二者的绘画语言形式。
Bird and flower painting in the Tang Dynasty has formed an independent art department, but the culmination of the real art is in the Five Dynasties period. Songhua’s bird-and-flower painting has a broader social and psychological background. It not only edifies the literati and madam’s sentiments, but also becomes the aesthetic standards of the princes and even the general public. So far we know that there were many court painters in the two Song dynasties. At that time, the saying of “Huang Jiafu Gui, Xu Xi Ye Yi” was circulating, which showed that the influence of Huang Xu style was great. This article will analyze the painting language forms of the two from the background, theme, performance and aesthetic taste.