在文学的天地里,理论与创作双管齐挥而均精采纷呈者,此类全才实不多见。古今中外,究竟有多少高手挽弓当挽强,左右开弓而都能一一命中红心呢?我以前在痴心于诗论研究与诗歌评论之时,曾给自己订下一条戒律:可以写诗,以体验此中甘苦,但不得公开发表,以免理论与实际脱节而贻眼高手 In the world of literature, both theory and creation are both brilliant and brilliant. At all times and in all countries, how many master bow in the world can one after another be hit with a strong heart? Can I write a poem in the past when I am infatuated with poetry theory and poetry commentary? Experiencing this painstakingly, but not publicly published, in order to avoid the theory and the actual out of touch,