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敦煌的莫高窟佛教艺术形象千姿百态；叙述的是佛的生平、法力，描绘的是佛国盛事等等。佛教艺术中关于人的生活、本性和人生悲喜等人本主义、人文主义，也表现得生动而鲜明。如诸天圣时释迦牟尼的涅显露的种种悲哀，证实他们对失去深爱的“人”并没有超脱，并非“四大皆空”。又如画师突破极乐世界无女性的教规，创造了许多“取悦于目”的女菩萨形象。在东方这样一个数千年中央集权制的古国，人与人性一直遭压抑，即便如此，人文精神仍未完全磨灭，敦煌艺术恰好体现着这样一种东方人文主义精神。
Dunhuang’s Mogao Grottoes Buddhist art image in different poses and expressions; narrative is the life of the Buddha, mana, depicting the event of the Buddha and so on. Humanism, humanism and humanism in human life, nature and sadness of life in the Buddhist art also vivid and vivid. The grievances of Nirvana, as revealed in the holy days of the Holy Days, confirm that they are not detached from the “beings” who have lost their beloved ones and are not “all-embracing.” Another example is the picture divider to break the paradise in the world without women’s canons, creating many “pleasing to the eye” female Bodhisattva image. In such an ancient country where the central authority of the Central Government for thousands of years has been repressed, humanity and humanity have been suppressed. Even so, the humanistic spirit has not been completely eliminated. The Dunhuang art embodies such an oriental humanist spirit.