“幸福的家庭都一样,不幸的各有各的不幸”。列夫·托尔斯泰在《安娜·卡列尼娜》第一页的第一句话,就为安娜、卡列宁、渥伦斯基埋设下复杂的情感关系。家庭伦理剧对家庭的想象,从总体上看,也是基于对“幸福”和“不幸福”的独立叙事与平行对比。细察家庭伦理剧的故事构思,我们可以发现,所有的当下社会热点关键词,如房价、婚外恋、“凤凰男”、裸婚、拆迁、择校、下岗、就业、炒股、改制、农民工,都能被其一网打尽。不可否认,它拥有庞大的叙事容量和宏阔的表意空间。家庭伦理剧立足生活,以家庭为单位,以情感为线索,由家庭各成员之间、个人与外界之间的多重关系构 “Happy families are the same, unfortunately each has its own misfortune ”. In the first sentence of the first page of Anna Karenina, Leo Tolstoy laid the complicated emotional relations for Anna, Karenin, and Wolensky. The family ethics drama family imagination, on the whole, is also based on an independent narration and parallel comparison of “happiness ” and “unhappiness ”. We can find all the current social hot key words, such as house price, extramarital love, “Phoenix man”, naked marriage, demolition, school choice, laid-off, employment, stocks, restructuring, migrant workers , Can all be their catch. It is undeniable that it has a huge space for narrative capacity and ambitious expression. Family ethics drama based on life, family as a unit, with emotion as a clue, by the family members, between individuals and the external relationship between the multiple