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“形式”与“形式美”是两个互相联系又有区别的概念,然而长期以来人们几乎将两者完全等同,并以“多样统一”的法则作为衡量一切形式的标准,以“和谐”作为形式表现的终极目标。论文以意义的诠释比较,以美学视角的分析为基础,整理了形式的可操作的基本内容,以形式主义的论点及现代建筑、音乐等相关领域的形式表现特征作为参照,并叙述了后现代主义与当代艺术的“反”形式的理念,从而试图认识对“形式”与“形式美”概念的误解及差异性,以及在新的形式观与新的形式样式面前,“多样统一”与“和谐”法则所面临的颠覆性挑战。
“Form ” and “Form ” are two concepts that are interrelated and differentiated. However, people have almost completely equated the two for a long time and used the law of “diversity and unity ” as a measure of all forms , To “harmony” as the ultimate goal of performance. Based on the interpretation of meaning and the analysis of aesthetic perspective, the dissertation summarizes the basic contents of the operation of the form. Taking the formalist arguments and the formal performance characteristics of the related fields such as modern architecture and music as references, In this way, we try to understand the misunderstandings and differences of the concepts of “form ” and “formal beauty ”, as well as in the face of the new formal concept and new formal style, “Diverse unity ” and “harmony ” law faced by the subversive challenge.