中国20世纪90年代的剧作大部分已经超越了传统写实的约束,无不吸收西方现代主义文学思潮的影响,从80年代甚至更早的时代,就已有萌芽、发展之势,90年代这类剧作得以继续生长,但其创作方法仍是以写实为主要特征。剧作十分注重对现实生活原生态的还原,直面现实人生,同时渗透出强烈的历史意识和哲学意识。实际上,戏剧创作向新写实主义的转变,抑或现实主义的复归与深化,早在80年代后期就已经出现在剧坛上了。像何冀平的《天下第一 Most of the dramas in China in the 1990s have surpassed the constraints of traditional realism and all have the influence of Western modernist literary trends. Since the 1980s and even earlier, they have sprouted and developed. In the 1990s, The play can continue to grow, but its method of creation is still based on realistic features. The play pays great attention to the restoration of the original ecology of the real life and faces the real life, at the same time it infiltrates a strong historical consciousness and philosophical consciousness. In fact, the transition from dramatic creation to neo-realism or the return and deepening of realism has appeared in the theater back in the late 1980s. Like He Jiping "best in the world