论文部分内容阅读
绘画与设计艺术作品的物质实在作为一种载体具有符号与结构的二重性,它们既有传达一定语义内容媒介的“符号性”,又有诉诸人们感性直观本体的“结构性”。例如一幅法国新古典主义的肖像油画作品是色形兼备的典范,它展现在观赏者面前的是具象具体生动的形象,观赏者除了去欣赏画中所表现人物特点和画面蕴含的色彩、笔触、技法等“符号性”外,他们更注重画面整体构架所包容的精神和深层内涵语义,这内涵语义在此我们称之为“结构性”。
The material reality of painting and designing works of art has the symbolic and the structural duality as a kind of carrier. They not only convey the “symbolicity” of certain semantic content media, but also appeal to the “structural” of people’s perceptual intuition. For example, a French Neoclassical portraits oil painting is a model of both color and shape, which shows the viewer in front of the image is a concrete and vivid image, the viewer in addition to enjoy the performance of the characters in the paintings and the color of the screen, , Techniques and other “symbolic”, they pay more attention to the overall framework of the picture contained in the spirit and deep meaning of semantics, the meaning of meaning we here we call “structural.”