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如果说,在专业艺术领域,现代主义绘画艺术对传统的反叛主要表现在从再现性具象走向表现性抽象,那么,后现代主义绘画对现代主义的超越则主要表现在反形式和非中心化的多元主义。音乐的情况与此相仿,现代主义音乐走出了传统大小调体系,但还在有序的结构中,而后现代主义的音乐则走向无序、反形式和复风格(polistylism)或无机拼贴。尼克·博什科维奇(Nick Boskovich,1939—)的《中心散了》(1986)和施尼特凯(Al-
If we say that in the field of professional art, the traditional rebellion of modernist painting art mainly manifests from the representation of reproduction to the performance of abstraction, then the transcendence of postmodernist painting to modernism is mainly manifested in anti-form and non-centralization Pluralism. In the case of music, modernist music has come out of the traditional syllabic system, but still in an orderly structure, while postmodern music moves toward disorder, anti-formalism and polistylism or inorganic collages. Dispersed Centers by Nick Boskovich (1939-) (1986) and Al-