1999年,程耳和许许多多怀揣着电影梦想的年轻人一样,走出了北京电影学院导演系的大门。同年,他拍摄一部35mm的电影短片《犯罪分子》。这部短片之后成功入围了韩国釜山、加拿大多伦多、美国纽约等多个国际电影节。而业界,也因此记住了程耳的名字。转眼,程耳已经在影视圈摸爬滚打了13个年头。在这13年间,他一共只有两部大银幕作品问世。一部是徐铮和高圆圆主演的《第三个人》,另一部就是这部即将上映的《边境风云》。从《犯罪分子》,到《第三个人》,再到《边境风云》,程耳始终在探讨犯罪与情感的关系。他说自己有点怪,似乎特别喜欢这种非正常情况下的情感。这一次,他甚至把剧组拉到了中缅边境取景,讲述了一段毒贩和人质之间,令人匪夷所思的感情。也许你很难理解这个“电影怪咖”的世界,但他的确有着许多独特的想法。他不妥协,不从众,始终坚持做着自己。他说《边境风云》的故事是自己朝他走来的,这是个看似有点怪的回答,但听他说完,似乎也就不那么难理解了。 In 1999, like many young people with dreams of movies, Cheng ear stepped out of the door of the Beijing Film Academy’s directorial department. In the same year, he shot a 35mm short film “Criminals”. The film was successfully short-listed in Busan, South Korea, Toronto, Canada, New York and many other international film festivals. The industry, so remember the name of Cheng ear. Blink of an eye, Cheng Er has been fought in the film and television circle hit 13 years. In these 13 years, he has only two big-screen works come out. One is the “third person” starring Xu Zheng and Gao Yuan Yuan, and the other is the forthcoming “Frontier Situation.” From “criminals” to “the third person” and then to “the frontier situation,” Cheng ear is always discussing the relationship between crime and emotion. He said he was a bit weird and seemed particularly fond of this unusual emotion. This time, he even pulled the crew to the Sino-Burmese border and described the unimaginable feelings between drug traffickers and hostages. Maybe you have a hard time understanding this world of “movie weird”, but he does have many unique ideas. He does not compromise, not follow the crowd, always adhere to be yourself. He said that the story of “Border Circumstances” came himself toward him. This is a seemingly somewhat weird answer, but it seems not so difficult to understand after listening to him.