论文部分内容阅读
《现代西方音乐哲学导论》中对于罗曼·茵加尔顿的现象学音乐哲学观做出了阐述,本文就是基于学习《现代西方音乐哲学导论》中现象学音乐哲学观,而提出一些浅薄认知。
In the Introduction to Modern Western Musical Philosophy, it elaborates on Romanee Galpänter’s philosophy of phenomenological music philosophy. This essay is based on the study of phenomenological music philosophy in the Introduction to Modern Western Musical Philosophy, and proposes some superficial cognitions.