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安德里·彼赫威茨(Andrej Pirrwitz)的摄影作品在客观现实和抽象之间,在有序和无序之间以及既有条件和分段情况之间变化。从技术的角度来看,这些作品简单自然。因为不管是在拍摄过程还是在后期处理中,安德里从来不利用技术手段改变摄影作品的自然外观。他故意省却对主体的人工照明,按下按钮的瞬间即决定了照片的细节、远景和构图。之后,也不需要用变形、修改以及电脑加工技术来改变已拍出的照片。安德里的照片表达了个人和其周围世界之间和谐的可能性——一个不再符合其熟悉的结构的世界,一个不断变化中的世界。
Andrej Pirrwitz’s photographs vary between objective reality and abstraction, between order and disorder, as well as between conditioned and segmented conditions. From a technical point of view, these works are simple and natural. Because no matter in the shooting process or in the post-processing, Andrey never use technical means to change the natural appearance of photography. He deliberately omitted artificial lighting on the subject, pressing the button moment that determines the details of the photo, long-term vision and composition. After that, do not need to use the deformation, modification and computer processing technology to change the photos have been taken. Andrey’s photo expresses the possibility of harmony between the individual and the world around him - a world no longer compatible with its familiar structure, a constantly changing world.