沈潜:张锡庚的书艺履痕,从意气风发的青年到淡定和融的中年,人生在因时因地的现实磨砺中激越过,也冷寂过;辉煌过,也失落过。期间的神情意态,有起伏有俯仰,也有藏露有方圆,一如阴阳、虚实、曲直、刚柔、巧拙、雅俗等的渊默含茹,顺其自然中调适,融会着儒道佛的文化养液,由此历练起流贯内心的独立文化气脉及其品格。时下有关“文化书法”一说褒贬不一,但书法体现文化内涵与人格修养,当属不争之实。窃以为,真正的书家决不会停留于墨色的浓淡枯润、线条的方圆粗细、布局的虚实疏密等技法层面,要在自身人格襟怀和精神境界用心关注。所谓“蓄意象于笔底,发美情于毫 Submergence: Zhang Xiguan’s book art trail, from the high-spirited youth to calm and financial middle-aged, life in the real ground due to tempered tempered, too cold and lonely; brilliant too, but also lost. During the period of the state of mind, there are ups and downs of pitch, but also possession of a radius, like the yin and yang, the actual situation, Qu straight, rigid, clever clumsiness, elegance and vulgar silencing Ru, along its natural adaptation, integration of Confucianism and Taoism Culture, nourishing fluid, which experienced from beginning to end the heart of independent culture and its character. Nowadays ”cultural calligraphy “ one to say mixed, but calligraphy reflects the cultural connotation and personality cultivation, it is an indisputable fact. Steal that the real book will never stop in the dark color of ink, the thickness of the line, the layout of the actual situation, density and other technical aspects of the level of personality in mind and spirit of their own state of mind. The so-called ”deliberately like the bottom of the pen, send beauty in the least