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在看《尼伯龙根的指环》之前,对于歌剧的印象基本是模糊的。此前仅有的几次多是在爱丁堡艺术节上看到的,虽然都是较新的大制作,但没有一部超越这一次《指环》给我的感憾。事实上,除却爱丁堡的个别演出,歌剧对我实在没有多大的吸引力,因为此前在上海所看到的原创歌剧,让我颇有些倒胃口,演员们硕大的体形、高昂的姿态、装腔作势的调调和我并不能十分理解的美声唱法,构成了我对歌剧最基本
Before looking at “The Ring of Nibelungen,” the impression about opera was basically vague. Previously only seen a few times in the Edinburgh Festival, although are newer big production, but no one beyond this “ring” to my regret. In fact, except for the individual performances in Edinburgh, the opera really did not attract much interest to me because the original operas I saw in Shanghai before gave me a bit of an appetite, and the performers were hugely tall, high-profile and pretentious And I can not quite understand the vocal singing, constitute the most basic to my opera