不知起于何时，我很少再留意那些独立于自然却被《辞海》注释得很简单的松树。观画一多，满眼尽是宣纸上或焦墨或水墨或彩墨写就的意象之松，渐渐地，我也就很少再想到陶铸的《松树的风格》和陈毅的“欲知松高洁，待到雪化时”的诗文之松。随着时代的变迁，松从革命的意义里逐 I do not know when, I rarely pay attention to those who are independent of the natural but “Ci Hai” Notes very simple pine. Drawing more than a dozen, eyeful is full of paper or ink or ink or coke Mexican ink written on the pine, and gradually, I rarely think of Tao Zhu’s “pine style” and Chen Yi’s "To know loose noble , To be snow when poetry loose. With the changes of the times, Song went from the meaning of revolution