现代书法是近二十年中国书坛上一道亮丽的风景。现代书法的发展有两条线索。一条是从外部切入,以1985年的“现代书法展”为标志,参与者多是画家,借用了绘画的观念和手法,在书坛毫无准备的情况下强行切入,犹如强暴,让书坛震惊,同时感到愤怒,并且报之以蔑视,二十年来,重大的国展将这种现代书法拒之门外。然而,它强调作品的可看 Modern calligraphy is a beautiful scenery of the Chinese calligraphy market for nearly two decades. There are two clues to the development of modern calligraphy. One is cut from the outside, with the 1985 “Contemporary Calligraphy Exhibition” as a sign, the participants are mostly painters, borrowing the concept and technique of painting, forced to cut into the altar in the case of unprepared, like a rape, so Book Shocked, furious at the same time, and reported with contempt, two decades ago, the major National Exhibitions turned this modern calligraphy aside. However, it emphasizes the look of the work