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高远的小说或多或少的隐晦传达出一种精神的焦虑和主体物化后,情感关照的某种怅然若失。《鲜花与粪土》文本中的城市,只是一具躯壳和符号,抽象能指的冰冷符号。这个特定环境中的男人和女人,被他笔下的几位戏谑生活且混沌暧昧着的叙事主体所高度概括和代表了。他们在都市中承受着身份认同的游离以及置身都市中肉身的负重,他们在都市的生活如同旅行,那种漂泊感和不稳定性,时时警醒着他们,并时刻唤醒他们心灵深处的诗意田园。
Lofty novels more or less vaguely convey a spiritual anxiety and the materialization of the subject, the feelings of concern after some sense of loss. The city in the text “Flowers and Dung” is just a cold symbol of a body and symbol, abstract. The man and the woman in this particular environment are highly summarized and represented by the few narrative subjects in which he jokes and dully ambiguously describes him. They bear the identity of the city in the free and physical exposure to exposure to the body, they live in the city like travel, that sense of drift and instability, always alert them and always wake up their spiritual poetic pastoral garden .