论文部分内容阅读
在晚明书学由复古主义向浪漫主义的转向中,来自复古主义内部的变革,是书学研究中被忽视的一个方面。孙鑛《书画跋跋》是在王世贞《书画跋》的基础上撰成的,万历前期,孙鑛把复古变为学古,从复古书学内部发出了变革的声音。这个变通的书学思想,在晚明书学的文化场域中有着关键的作用。对孙鑛变通书学思想的研究,也有着极大的现实意义。明代中晚期的书学,处在艺术市场的建构之中,文人的结盟以及后学对主盟的依附是其最显著的特点。这与当前的书学思想所面临的文化场域几乎是一致的,书法家的职业化,以书协为中心的身份认同,展览机制对书法家的建构,决定了当代书学与明代中晚期书学有着相同的文化生态。当代书学是以“用笔到位”论为主导的,这就决定了复古书学中的变通思想,在当代书法的发展中有一定的现实意义。
In the late Ming Dynasty calligraphies from the romanticism of the retroist turn, from the internal changes in the study of the book is a neglected aspect. Sun Mine “Painting and Calligraphy and Postscript” is written on the basis of Wang Shizhen’s “Painting and Calligraphy Postscript”. In the early period of Wanli, Sun Mine transformed the vintage into an ancient one and sent out the voice of change from the interior of the ancient calligraphy. This alternative book study thought plays a key role in the cultural field of late Ming dynasty. The study of Sunmutuoshu book study also has great practical significance. The middle and late Ming Dynasty calligraphy, in the construction of the art market, the scholar’s alliance and post-school attachment to the main league is the most significant feature. This is almost in line with the cultural field that the current book thinking faces. The calligrapher’s professionalism, the book-club-centered identity, the exhibition mechanism’s construction of the calligrapher determine the relationship between the contemporary book study and the middle and late Ming Dynasty Book study has the same cultural ecology. Contemporary book study is based on the theory of “using pen in place”, which determines the perfection thought in retro book study and has certain practical significance in the development of contemporary calligraphy.