无须讳言,并非是所有的文字都能让人见字如面,因为“扁平时代的写作”(韩少功语),要么是无深度、无高度或无难度的写作,要么是戴着面具的文化狂欢或称“伪写作”。远在遥远的西雅图的姚园,作为海外新移民诗群中的一名核心人物,笔涉新诗、散文诗、散文等领域,尤长于新诗与散文诗写作。至今已出版十余种诗文结集,堪称硕果盈芳。重要的是,她能让人见字如面,见字如心。她袒露的,是让自己的笔墨、自己的性灵在天地间腾挪摇曳,是鼓着 Needless to say, not all words can make people read the word, because “flat time writing ” (Han Shaoguan), either no depth, no height or no difficulty in writing, or is wearing a mask Cultural carnival or “pseudo writing”. Yao Park, far away from Seattle, as a core figure in the overseas immigrant poem group, writes on new poems, prose poems, prose and other fields, especially in the writing of new poems and prose poems. Has been published more than ten kinds of poetry collection, 堪称 Ying Ying. The important thing is that she can make people see the word like a face, see the word as heart. She is exposed, is to make their own pen and ink, his own spirit in the world, shaking and swaying, is the drum