“渔父”的形象,从中国文学的早期出发,以隐逸遁世、明哲保身的姿态,行走在历史的文苑里。《庄子·渔父》:“下船而来,须眉交白,被发揄袂”“刺船而去,延缘苇间”。王逸《楚辞章句》:“渔父避世隐身,钓鱼江滨,欣然自乐。”也许就从那时起,文人墨客往往喜欢在渔者身上寄托情怀,千百年来,一直做着美好的渔父梦。然而,渔家的生活真的那么美吗? “Fisherman ” image, starting from the early Chinese literature, seclusion escalation, the concept of self-preservation, walking in the history of the court. “Zhuangzi Fisherman”: “disembarked, pay homage to the plain, was sent out” Mei “” boat away, the edge of reed room. “ Wang Yi ”Chu Clause“: ”The fisherman escaping stealth, fishing Riverside, gladly fun." Perhaps from then on, literati often like to put their feelings in the fisherman body, for thousands of years, has been doing Dream of a beautiful fisherman. However, fishing life really so beautiful?