毕加索是二十世纪西方艺术的一个现象,同时也可以说是西方现代艺术的—个标志性符号,这个艺术现象或符号,反映出或指出了整个西方艺术一百年来所面临的语境。沿着这个标志性符号的指向,人们会回首二十世纪西方艺术乃至面对人类绘画未来的问题。而同样的问题,在不同的文化视野中会有不同的解读、也会有不同的结论、还会具有不同的意义。所以,我不是单纯从毕加索本人来谈毕加索——比如他的生平、他的 Picasso is a phenomenon of Western art in the twentieth century. It can also be said to be a symbolic sign of Western modern art. This artistic phenomenon or symbol reflects or points out the context that the entire Western art has faced for a hundred years. Along the direction of this iconic symbol, people will look back on the 20th century Western art and even the face of the future of human painting. The same problem can be interpreted differently in different cultural perspectives, with different conclusions and different meanings. So, I’m not talking about Pablo PICASSO from Picasso himself - like his life, of him