九十年代以降,我的诗歌写作大略可分为一大一小两个板块,其主要部分我将它们命名为“告知当下存在本相”的诗歌,从人的生存和时代语境的夹角楔入,进而展开较为开阔的此岸叙事,让一味戏剧化地悬在所谓“高度” In the nineties, my poetry writing can be roughly divided into one big, two small, two major sections. The main part of the poem is named as “the poem informing the existence of the present”. From the angle of human existence and the contemporary context Wedge, and then expand the more open this shore narrative, so blindly suspended in the so-called “height”