在中外文学关系中,弱势民族文学对于中国作家来说是一种被引为知己的异域文化,有着贯穿始终的被关注、介绍和翻译的过程。说其原因并不奇怪,中国在20世纪初是从经济上的后发国家起步,学习、追赶西方先进国家的,这个历程从一开始就充满了屈辱、被动和异化感。所谓的现代化是资本 In Chinese and foreign literary relations, the disadvantaged national literature is a kind of exotic culture which is quoted as a confidant to Chinese writers. It has a process of being watched, introduced and translated from beginning to end. The reason is not surprising. Since the beginning of the 20th century, China started out as an economically backward country, learning and chasing the advanced western nations. This journey has been filled with feelings of humiliation, passiveness and dissimilation from the very beginning. The so-called modernization is capital