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过去我在不同场合的讲座中,当阐述人与艺术的关系时,常举张永旭为例。张永旭自新疆考入中央美术学院油画系第四画室学习,他给我第一个综合印象是,站不稳,坐不正,身好动。老师并没有按“正常人”的习惯去校正他,应“站直了,别趴下”,而顺势去挖掘这天性,心急火燎的激情中有别他人的价值。也许“站不直”看东西是歪的,“坐不正”找不到水平线,画出来的横竖空间都是里倒歪斜的,耐心观察经过一段时间磨练效果出来了,从他的感觉流淌出来的变了形的空间与物象,非常舒服极具味道,每个画面叫你过目不
In past lectures on different occasions, when explaining the relationship between man and art, Zhang Yongxu was often cited as an example. Zhang Yongxu admitted to Xinjiang Central Academy of Fine Arts Oil Painting Department of the fourth studio learning, he gave me the first comprehensive impression is that the station is not stable, sitting is not correct, body move. The teacher did not correct him according to the habit of “normal people”. He should “stand up, do not get on the ground,” and take advantage of it to dig out this nature. The passionate passion has its own value. Perhaps “stand upright” to see things are crooked, “sitting is not correct” can not find the horizontal line, drawn out of space are upside down askew, patience observed after a period of time honed effect came out from his feeling out The change of the shape of the space and the image, very comfortable with great taste, each picture tells you not to look over