任何一部艺术史都是发展与新变的历史,在现代社会,求新、求变、张扬个性、表现情感更成为一种时尚。但是,当代书坛不少人士对此有很多误解,以为一通所向披靡的挥洒才是有情感,一味地屈伸摇摆便是有了性格,这是一种简单浮浅的思维。在这种思维驱使下,任笔为体、聚墨成形、胡乱涂沫的所谓创新之作随处可见,造成一片虚假的繁荣景象。身居中国书法潮流中心的邹德忠先生,不屑于成为这种大潮中的弄潮儿,他只以一个普通书家自居,扎扎实实地做自己的学问,认认真真地写自己的字。他也讲求“新变”,但与时下那种以狂野为抒情,以怪异为个性的急 Any history of art is a history of development and change. In modern society, it is more fashionable to find new things, change things, show individuality and express emotions. However, many people in contemporary calligraphy have a lot of misconceptions about this. They think that it is an emotion that the invincible sway of a pass, blindfolded and swinging is a character. This is a simple and superficial thinking. Driven by this kind of thinking, the so-called innovations made of writing a pen, forming a polygone, and smearing a bubble can be seen everywhere, creating a false prosperity. Zou Dezhong, a Chinese trend center for calligraphy, disdains as a tide-breaker for the tide. He only takes one ordinary scholar as himself and conscientiously writes his own words and conscientiously writes his own words. He also stresses “new changes”, but with the current kind of wild to lyrical, weird personality as a personal urgency