当代中国画的发展的话语,在某种程度上体现了学院派的观念意识。这一方面为中国画的当代转型结构出了一个理性的框架和“形而上”的理论体系,另一方面也消解了中国画传统中不为学院派理念所认同的“习俗”。造成上述状态的原因大致可归纳为:学院派的教学和学术架构,基本上是以西方现代教育为参照的结构体系,而中西方绘画又是共存的迥然不同的两座高峰,所 The development of modern Chinese painting discourse, to some extent reflects the concept of awareness of the academic school. On the one hand, it provided a rational framework and “metaphysical” theoretical system for the contemporary transformational structure of Chinese painting. On the other hand, it also resolved the “custom” that is not accepted by academic ideas in Chinese traditional painting. The reasons for the above state can be summed up as follows: The academic teaching and academic structure are basically structural systems based on modern western education, while Chinese and Western paintings are two very different coexistence peaks.