文学创作凭借作为符号的语言文宇,要准确地反映五光十色的客观世界、传神地描绘深不可测的主观情怀,确实有一定难度。一千多年前的文论家陆机早就发现和感受到了这一难度,说是“恒患意不称物,词不逮意”(《文赋》)。而刘勰则更进一步洞察到其间的症结,他说:“意翻空而易奇,言征实而难巧。”《文心雕龙·神思》)那么,为何解决“翻空易奇”和“征实难巧”的矛盾呢?办法之一便是运用“模糊”语言:即话不要说得太实、太细、太死;而要说得空灵些、概括些、活泛些,以此召唤欣赏者运用想家投身到艺术再创造中去,同作者一起共同完成人物形象、艺术意境的创造活动。这样的作品才会显得“含蓄 Literary creation with the symbolic language Wenyu, to accurately reflect the colorful world, vividly depict the unpredictable subjective feelings, there is indeed a certain degree of difficulty. More than a thousand years ago, the literary critic Lu Ji discovered and felt the difficulty long ago, saying that he always wanted to stop saying something and that he did not catch the word ”(Wen Fu). And Liu Xie is further insight into the crux of the matter, he said: “Italy is intended to open and easy to Qi, the words impractical and difficult.” “Wen Xin Diao Long · God thinking”) So, why solve One of the ways is to use “fuzzy ” language: the words do not speak too real, too thin, too dead; and to be more emptiness, To sum up, live more, in order to summon the appreciation of the audience to use homesick to recreate the art to work together with the author to complete the creation of the character image, artistic conception. Such works will appear "subtle