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民族化是中国动画艺术创作的主要方向,更是自我身份创建的一种生存策略,中国动画的民族化呈现出刻意为之的功利性,从而未能深入动画的艺术本质,引起了对动画本性的某些曲解和误读。现代化是中国动画发展过程中的一种缺失。在全球化进程日益加剧的今天,致力于两者的融合,凸显共通之处,其指向性的差异形成一对极富弹性的张力,不仅可以支撑起一种抵御性的姿态,更可以成为一种交流沟通的桥梁。
Nationalization is the main direction of Chinese animation art creation. It is also a kind of survival tactics created by self-identity. The nationalization of Chinese animation shows the utilitarian nature of deliberateness, thus failing to deepen the artistic essence of animation, Some misinterpretation and misunderstanding. Modernization is a flaw in the development of Chinese animation. At a time when the process of globalization is worsening, we are committed to the integration of the two and highlighting commonalities. The differences in their orientation form a pair of extremely flexible tensions that can not only support a defensive posture but also become a Kind of communication and communication bridge.