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超写实素描作为设计类美术院校的造型基础先始于上世纪初的美国,因为快捷的写实方式得到业界广泛认同之后迅速传遍世界,上世纪后期传入我国,在经历几十载的演化并融合消化本土艺术形式逐步形成了具有中国特色的教学模式。中国的石刻造像艺术历史悠久极具东方审美精神与文化传统.本文探讨的是如何就大足石刻北山、宝顶山造像图式转换结合到超写实素描教学中去,并在当代语境下如何用传统民俗石刻元素进行转化更新与时俱进,弘扬民族精神。
Ultra-realistic sketch as a styling base for design art schools began in the United States at the beginning of the last century, because the fast way of realistic writing spread rapidly across the world after being widely accepted by the industry and passed into our country in the late last century. After decades of evolution And merged and digested the local art forms and gradually formed a teaching model with Chinese characteristics. China’s stone carving art has a long history of oriental aesthetic spirit and cultural tradition.This paper explores how to combine the Dazu rock inscriptions Beishan and Baoding Mountain into super-realistic sketch teaching and how to use it in the contemporary context Traditional folk stone elements are transformed and updated with the times, carry forward the national spirit.