论文部分内容阅读
姜白石的《白石道人歌曲》(六卷),为近世工尺谱较早的形式,其中具有“旁谱”(即曲谱)的,计有十七首(十四首为姜白石作词作曲的“自度曲”,其余三首为姜白石填词的歌曲)、琴曲一首、越九歌十首,共二十八首。这是词调音乐传于今世的唯一的当时的乐谱原始资料,是我国乃至世界音乐宝库的极为重要和珍贵的文化遗产,一向被史学家、文学家和音乐家认为研究我国历史上一个重要乐种——“词”的可靠实例。笔者以杨荫浏先生的译谱为主要依据,试图对姜白石的歌曲(主要是自度曲),从音阶、调式、曲调风格特征、曲式结构、用韵等方面进行一些分析和探讨。
Jiang Baishi’s “Baishi Taoist Song” (Volume 6) is an early form of the Late World Staff Scale. Among them, there are 17 (14 songs for Jiang Baishi’s lyric) “Since the degree of song”, the remaining three songs for the lyrics of Jiang Baishi), a song, the more nine songs ten, a total of twenty-eight. This is the only original musical score of the tune music in the present age. It is an extremely important and precious cultural heritage of music treasure house in our country and even in the world. It has always been considered by historians, writers and musicians as an important musical genius in the history of our country - A reliable example of “word.” Based on the translation of Mr. Yang Yin-li’s book, the author tries to analyze and discuss the songs of Jiang Baishi mainly from the degree of music, from the features of scale, style, melody, structure of music and rhyme.