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初唐诗风沿袭六朝以来浮艳雕琢之风,陈子昂以响亮的改革口号掀起了初唐诗风的第一次转变。张九龄紧随其后,在初盛唐交接的风口浪尖以其政治地位影响和文学创作引领了盛唐一代文学的繁荣开篇。陈子昂、张九龄诗歌创作中出现了同样以《感遇》组诗闻名于世的佳作。本文试图通过对陈子昂、张九龄两人《感遇》组诗进行细致对比,对两者的《感遇》诗按内容重新做了梳理,试图进一步发掘两人在诗歌创作中所表现的不同艺术特色及其形成原因,并对两者诗歌的艺术特点作出总结。
The poetic style of the early Tang Dynasty followed the trend of exquisite carving style since the Six Dynasties, and Chen Zi’ang set off the first transformation of the poetic style in the early Tang Dynasty with a loud reform slogan. Zhang Jiu-ling followed closely, and the cusp of the handover in the early Tang Dynasty led the prosperity of the literature of the prosperous Tang Dynasty with its political status and literary creation. In Chen Zi’ang’s and Zhang Jiu-ling’s poems, the same masterpiece famous for their “feeling” poems appeared in the world. This paper attempts to make a detailed comparison between the two “feeling” poems by both Chen Zi’ang and Zhang Jiu-ling, and sort out the “feeling” poems of the two together in order to further explore the different artistic features they present in their poetry creation and Its formation reasons, and summarizes the artistic features of both poems.