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2010年9月6日至26日,34位青年戏剧导演、110场中外戏剧作品演出、数百位戏剧人和数千位戏剧观众,在北京国际青年戏剧节的旗帜下聚集。这是2008年以来的第三届青戏节,也是在培养青年戏剧人、扶植原创作品的道路上,爆发出更大潜力的一届:剧目数量又一次扩容;国际作品单元、大师单元、国际研讨等形制被首度引入,均显示了青戏节在举办规模与影响力方面,向国际上较大的戏剧节跃进的愿望。另外,追求独立、个性化、有原创力的艺术取向,又使其在整体上形成了鲜明的风格。9月16日,应《艺术评论》之约,青戏节艺术总监孟京辉、编剧史航、导演邵泽辉,就2010青戏节以及青年与戏剧等话题,进行了一次深入的探讨和交流。
From 6 to 26 September 2010, 34 young theater directors, 110 Chinese and foreign theater productions, hundreds of dramatists and thousands of theater audiences gathered under the banner of the Beijing International Youth Theater Festival. This is the third Youth Theater Festival since 2008, which is also the year when more young opera people are fostered and the original works are being fostered. The number of repertoires has once again expanded. International work units, master units, The seminars and other forms were introduced for the first time. Both of them show the desire of the Qing Opera Festival to leap forward to the larger international theater festival in terms of the scale and influence. In addition, pursuing an independent, individualized and original artistic orientation has brought about a distinctive style as a whole. On Sept. 16, an in-depth discussion and exchange was held on topics such as Youth Art and Drama at the “Art Review”, Meng Qinghui, director of the Qing Opera Festival, history director Hang Shao and director Shao Zehui.