有人说,戏曲是以歌舞演故事的艺术,故事情节,应该是戏曲的核心。持这种认识的人在写戏时,着力于编排故事情节,把故事编得玄而又玄,险而又险,结果,人物成了情节的“龙套”,观众看了戏,只记住了故事,记不住人物,其实,缺乏人物性格命运纠葛的故事,人们是记忆不长久的,像看了热闹、惊险的武打片,不久,就会忘却得干干净净。回首戏曲史,流传下来的剧目,给人印象最深的是人物形象。没有窦娥这个典型人物,就没有《窦娥 Some people say that opera is the art of song and dance stories, story lines, it should be the core of drama. People who hold this kind of understanding focus on arranging the storyline and writing the story to the mysterious and mysterious, dangerous and dangerous story when writing the pictures. As a result, the characters become the “dragons” of the plot, and the audience watch the movie and just remember The story, can not remember the characters, in fact, the story of the character’s lack of fate entanglement, people are not long-term memory, like watching a lively, thrilling martial arts film, and soon, will forget to get clean. Recalling the history of opera, handed down the repertoire, the most impressive is the character image. Do not have this typical figure Dou E, there is no "Dou E