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戏曲家认为,自元以来,戏曲武打戏有南北之别.北方武打戏具有一种浓厚的地域性道劲风格,为杂剧;南方武打戏则发源自浙江温州一带,呈秀巧风格,在元代称南戏,至明代称传奇.武打戏至清代虽有杂剧与传奇之分,但以源于安徽怀宁一带,后进入宫廷的徽剧武打戏一枝独秀,冠绝一时,故戏谚有“昆山唱安徽打”的说法,清人笔记中则留下了徽剧“剽轻精悍,能扑跌打”的记载.为什么徽剧武打艺术发展得比较快?它与徽商有什么关系?本文试图对这一方面作粗浅的探讨.一、徽商与保镖明代巨商,以徽商与晋商为最.谢肇浙《五杂俎》称:“富室之称雄者,江南则推新安,江北则推山右.”顾炎武《歙县风土论》云:“寻至正德末、嘉靖初……商贾既多,土田不重,操资交接,起落不常.……至嘉靖
The operaists believe that since the Yuan Dynasty, the opera drama has a difference between North and South. The northern martial arts drama has a strong regional style of Taoism and a drama; the southern martial arts drama originates from the Wenzhou area of Zhejiang Province, The Yuan Dynasty said that the South play, known as the legendary Ming Dynasty. Although martial arts drama to the Qing Dynasty, although there are Zaju and legendary points, but from the area of Huaining in Anhui Province, after entering the court of the Hui opera martial arts thriving show, “Kunshan sing Anhui hit” argument, the Qing notes left in the Hui drama “plagiarism lean, able to hit and beat” records.Why Hui martial arts art developed relatively fast? It has what relationship with the Huizhou? This article attempts to make a superficial discussion on this aspect. First, the merchants and bodyguards Ming Dynasty giant merchants, with merchants and merchants as the most .Zhe Zhaozhao “Five Zancha” said: “rich room of the male, Jiangnan pushed Xin , Jiangbei is pushing the right. ”Gu Yanwu“ Yixian Terroirism ”cloud:“ to find the end of Masanori, Jiajingchu ... merchants both, land is not heavy, handover, infrequent. ”To Jiajing