受电视、电影、因特网等现代传媒的冲击及人们审美心理变化的影响,在八桂大地上曾经风靡一时的桂剧面临着前所未有的困境。本文基于人本主义者马斯洛的需求层次理论,分析广西桂剧曾经的兴盛与今日的困境背后的深层动因,进而探索新时期广西桂剧的传承与发展之道。 Affected by the impact of modern media such as television, movies and the Internet, as well as changes in people’s aesthetic psychology, GuiJu, once the rage on the land of Bagui, is facing an unprecedented dilemma. Based on Maslow ’s hierarchy of needs theory, this paper analyzes the prosperous history of Guangxi Gui Opera and the deep motivation behind the current predicament, and then explores the inheritance and development of Guangxi Gui Opera in the new era.