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前言“整个艺术史是一部视觉方式的历史”。赫伯特·里德(HERBERT READ)在他的著作中,不认为观看世界是仅靠天生的直观方法,正确的观察是靠学习而会的。这也是一种习惯,并不是先天就固有的。他说得好,尤其是绘画的色彩并不是无选择的光学反映,而选择色彩正是一种习惯(这种习惯可以持续几百年)。里德在这里说到了艺术色彩和物理学的色彩,在观念上的根本差别之处。艺术家正是要“构造一个可信的世界的愿望”并使之成为现实,用理想和情感的火去点燃自然之木。
The preface “The whole history of art is a visual history.” In his writings, HERBERT READ does not regard seeing the world as a natural, intuitive method, but from the correct observation by learning. It is also a habit, not inherent in nature. He put it well, especially the color of painting is not an optical reflection of no choice, and it is a habit to choose color (this habit can last for hundreds of years). Here Reid talked about the color of art and physics, the fundamental difference in concept. It is precisely the artist’s desire to “construct a credible world” and make it a reality, igniting the wood of nature with a fire of ideals and feelings.