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唐玉恩在《旅馆建筑》中提到,“旅馆建筑作为时代的橱窗,在向社会提供安全、舒适、高效的住宿、饮食以及各种公共活动场所的同时,也在向人们展示着当代的建筑思潮和科学技术的发展”。建筑是文化的具象化方式之一,承载了一个民族立足于特定土地产生出的特殊的人文观点。在某一区域中人和场所的互动,即人于特定场域的生活方式成为了建筑的根源。在我国台湾的近代建筑史中,不断有学者或建筑师在探索着我国台湾的文化与建筑的关系,寻找着我国台湾文化存在建筑中的自明性(Identity),从外来的影响到自身价值观的反省,我国台湾当代建筑走向多元化发展,同时也有对自身的定位的思索,这种自明性从何而来?本文主要的研究分三个方面进行:(1)旅馆空间的体验,即住客与旅馆空间场所的关系;(2)场景的叙事与场景的时间特性表达;(3)旅馆空间的主题与教育性。本文结合梅勒·龙帝的理论与旅馆实际案例,探讨我国台湾旅馆建筑的地域性特点。
Tang Yuen mentioned in “Hotel Architecture”, “Hotel Buildings, as the window of the times, provide the community with safe, comfortable and efficient accommodation, catering and various public activities venues as well as showcase contemporary architecture Trend of thought and the development of science and technology ”. Architecture is one of the concrete ways of culture, carrying a special humanistic point of view based on a particular land. The interaction of people and places in a certain area, that is, people’s lifestyle in a particular area, has become the root cause of architecture. In the history of modern architecture in Taiwan of our country, there are constantly scholars or architects exploring the relationship between the culture and architecture in Taiwan of our country, looking for the self-identity in the architectural existence of Taiwan’s culture in our country, from the external influence to their own values Reflecting on Taiwan’s contemporary architecture in Taiwan to diversify, but also have their own positioning of thinking, this self-evident come from? The main research in this paper is divided into three aspects: (1) hotel space experience, that is, residents And the hotel space; (2) the narration of the scene and the temporal expression of the scene; (3) the theme and education of the hotel space. In this paper, the theory of Mailer · Emperor’s Di and the actual hotel case, to explore the regional characteristics of Taiwan’s hotel building in China.